This article is an orphan, as few or no other articles link to it. Please introduce links to this page from related articles; suggestions are available. (December 2009)
Repronex is a fertility medication that is injected either subcutaneously or intramuscularly. It contains follicle stimulating hormone and luteinizing hormone purified from the urine of postmenopausal women.
This medical treatment-related article is a stub. You can help Wikipedia by expanding it. v•d•e
Retrieved from “http://en.wikipedia.org/wiki/Repronex”
Categories: Fertility medicine | Hormonal agents | Medical treatment stubsHidden categories: Articles lacking sources from December 2009 | All articles lacking sources | Orphaned articles from December 2009 | All orphaned articles
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“I’m Awake Now” is the sophomore single released by alternative rock band the Goo Goo Dolls and featured on the Freddy’s Dead: The Final Nightmare Soundtrack.
Like many of the early Goo Goo Doll singles, “I’m Awake Now” was released in a promotional format only. It was also included on the band’s 2008 compilation album, Greatest Hits Vol. 2.
Track listing
“I’m Awake Now” - 3:33
Music video
A music video featuring the band trying to find something to watch on the television. They find one of the A Nightmare on Elm Street films on TV and agree to watch that. As they begin to watch it they fall asleep and have a nightmare with Freddy Krueger (Robert Englund) terrorizing them. Several scenes from Freddy’s Dead: The Final Nightmare are featured in the video as the band dreams of seeing the film at the theaters and getting scared and amazed at the same time.
External links
Music video for I’m Awake Now for the Freddy’s Dead: The Final Nightmare soundtrack
John Rzeznik·Robby Takac·Mike Malinin
George Tutuska
Studio albums
Goo Goo Dolls·Jed·Hold Me Up·Superstar Car Wash·A Boy Named Goo·Dizzy Up the Girl·Gutterflower·Let Love In·Something for the Rest of Us
Extended Plays
Just The Way You Are EP·Bang!·Dizzy EP·Platinum Play EP
Live albums
Live in Buffalo: July 4th 2004
Compilations
What I Learned About Ego, Opinion, Art & Commerce·iTunes Originals·Greatest Hits Volume One: The Singles·Vol.2
Videography
Music in High Places: Live in Alaska·Live in Buffalo: July 4th 2004·Live and Intimate
Singles
“There You Are” ·“I’m Awake Now“ ·“We Are The Normal” ·“Only One” ·“Flat Top” ·“Name” ·“Naked” ·“Long Way Down” ·“Lazy Eye” ·“Iris” ·“Slide” ·“Dizzy” ·“Black Balloon” ·“Broadway” ·“Here Is Gone” ·“Big Machine” ·“Sympathy” ·“Give A Little Bit” ·“Better Days” ·“Let Love In” ·“Stay With You” ·“Before It’s Too Late (Sam and Mikaela’s Theme)” ·“Real”
Tours
Something for the Rest of Us Tour
Related material
Discography ·Metal Blade Records ·Warner Bros. Records
Denethor is the name of three fictional characters of J. R. R. Tolkien’s legendarium:
Denethor (First Age), a Nandor Elf leader
Denethor I, tenth Ruling Steward of Gondor
Denethor II, twenty-sixth Ruling Steward of Gondor and a major character in The Lord of the Rings
This disambiguation page lists articles associated with the same title.
If an internal link led you here, you may wish to change the link to point directly to the intended article.
Retrieved from “http://en.wikipedia.org/wiki/Denethor_(disambiguation)”
Categories: Disambiguation pagesHidden categories: All article disambiguation pages | All disambiguation pages
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Dutch copyright law (called Auteursrecht) grants exclusive rights to the author of a work of literature, science or art. It was originally intended to cover books, but today it applies to many other materials including films, recorded music and visual art.
Auteursrecht includes exclusive publishing rights and allows the author to make and sell copies of their work. It also includes the exclusive right to make products derived from the copyrighted work and to publicly display the work (or to grant permission to do so). This is normally recorded in a license contract between someone who has created a copyrighted work and someone who wishes to use that work. Unlike patents, which grant monopolierecht (”monopoly right”) on inventions, copyrights only apply to specific creative manifestations of one or more ideas. Copyrights, however, can be bought and sold.
Generally, the owner of a copy of a copyrighted product can do with the copy as they please, even without actual ownership of the copyright, provided no copies are made and the product is not modified. Those who acquire modified copies from the copyright holder are also bound by these limitations.
There are some limits on what the owner of a copy can do with it. For example, public displays of the creative work are regarded as a form of copying. However, both Dutch and Belgian law allow for citaatrecht (quotation right). This allows the use of portions of a copyrighted work under a strict set of conditions. Quotation rights are more limited and demarcated than the concept of fair use.
Contents
1Difference between copyright and ‘auteursrechten’
2History
3National laws and treaties
4Misconceptions
5Works of the government and laws and court rulings
6External links
Difference between copyright and ‘auteursrechten’
Aside from those mentioned above, there are a few legal differences between auteursrechten and copyrights. One noticeable difference is that auteursrechten grants more rights to employees over intellectual and other property created at work. Artists and musicians (not just the company with distribution rights) are also granted the right of resale, which means they are entitled to a royalty each time a copy of the work is published or exhibited. This is known as naburige rechten (literally “neighboring rights”).
Auteursrechten, like the French idea of “droits d’auteur”, implies not only legal but also moral rights. An author is theoretically given, in addition to the right of ownership, the right to be recognized for the work rather than being criticized for it. Regardless of whether property rights are allocated to the publisher or to the author, the author retains this moral right.
History
Historically, governments issued monopolierechten to publishers for the sale of printed work. Great Britain was the first to change this in 1710 with the Statute of Anne, which recognized that authors, not publishers, should be the rightful claimant. It also entailed protection for buyers of printed work in that publishers were no longer allowed to control the use of sold works. Furthermore, it limited exclusive rights to 28 years, after which the work or works would be released to the public domain.
The Berne Convention in 1886 first settled the recognition of copyrights between sovereign nations. Under the Berne Convention the right of ownership (eigendomsrecht in Dutch) was automatically granted to every creative work. The author no longer needed to register the work, and was not required to apply for copyright coverage.
The Berne Convention is still in effect today. When a work is finished (defined as being written or recorded on a physical medium), the author automatically receives all exclusive rights for that work as well as derivatives, unless and until the author explicitly renounces those rights or the copyright expires. The expiration time differs from country to country, but according to the Berne Convention the minimum time is the lifetime of the author plus 50 years. In the Netherlands the term is 70 years after the death of the author.
National laws and treaties
Copyright laws differ between countries. However, there are several international treaties concerning copyright, including:
The Berne Convention, 1886
The Universal Copyright Convention, 1952
The WIPO Copyright Treaty, 1996
The WIPO Performances and Phonograms Treaty, 1996
The Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPs) (which manages the rights concerning trade in intellectual property)
There are also many other treaties that settle specific parts of copyright. Examples are the European Directive on Copyright Protection of Software (Europese Richtlijn op de Auteursrechtelijke Bescherming van Software) and the European Directive on Neighboring Rights (Europese Richtlijn op de Naburige Rechten).
Misconceptions
There are many misconceptions about copyright laws in the Netherlands.
Trademarks and patents, not copyrights, govern names and inventions.
Although copyright infringement is often compared to theft, when something is stolen the owner no longer has access to the stolen property.
Anyone who has made a creative work has a copyright. An underexposed, badly composed picture of the Eiffel Tower on a personal homepage is just as covered as a two meter tall print of a perfect photograph of the same tower by a professional photographer.
Copyright is only granted to creative, original works. The creator of the work must have used some creativity or a certain creative decision must have been made. Creativity is a relative term, however, as this is a legal, not aesthetic, standard. Passport photographs are an example of works that are not covered by copyright because they are produced in a standard way. Passport photographs are covered by portretrecht (portrait right).
An author can transfer a copyright to someone else using securitisatie, at which point the author receives the current value of future copyright revenues at the time of public presentation.
Copyright lasts for a finite time, specifically 70 years after the death of the author. When a copyright expires the work become part of the public domain. An author also can prematurely renounce a copyright. Expiration or termination of the copyright does not automatically mean the work can be freely copied and published. For example, portrait rights of the person depicted may still apply to portraits.
The author of a work always retains certain rights, even if the copyright is transferred or renounced: the right of the author to be mentioned in, on or near the work is the best example. These rights are called moral rights. These rights also last until 70 years after the death of the author.
Works of the government and laws and court rulings
In principle all works communicated to the public by or on behalf of the public authorities (government) are not copyright protected in the Netherlands, unless the copyright has been reserved explicitly, either in a general manner by law, decree or ordinance, or in a specific case by a notice on the work itself or at the communication to the public. This is regulated in Article 15b of the Copyright Act of 1912. This implies that programmes of the Netherlands Public Broadcasting service (they are public authorities just like the Silicose Oud-mijnwerkers foundation, see ABRS 30 November 1995, JB 1995/337) are not copyright protected.
In the Netherlands there is no copyright at all on the text of laws and court rulings; these governmental works can be accessed at all times by anyone for any purpose. However, some publishers of legal texts and court rulings do claim copyrights on the form in which they present the texts.
External links
Copyright Act (Netherlands) (1912)
Neighbouring Rights Act (Netherlands) (1993) (pdf of unofficial translation)
Cornell Law summary of US Copyright (includes for works published outside US)
10 Big Myths about copyright explained
v•d•e
Intellectual property laws of the European Union (EU)
Copyright
Austria · Belgium · Bulgaria · Cyprus · Czech Republic · Denmark · Estonia · Finland · France · Germany · Greece · Hungary · Republic of Ireland · Italy · Latvia · Lithuania · Luxembourg · Malta ·Netherlands · Poland · Portugal · Romania · Slovakia · Slovenia · Spain · Sweden · United Kingdom See also: Directive 93/98/EEC · Directive 2001/29/EC · Directive 2006/116/EC
Trade Mark
Austria · Belgium · Bulgaria · Cyprus · Czech Republic · Denmark · Estonia · Finland · France · Germany · Greece · Hungary · Republic of Ireland · Italy · Latvia · Lithuania · Luxembourg · Malta · Netherlands · Poland · Portugal · Romania · Slovakia · Slovenia · Spain · Sweden · United Kingdom See also: Community Trade Mark
Patent
Austria · Belgium · Bulgaria · Cyprus · Czech Republic · Denmark · Estonia · Finland · France · Germany · Greece · Hungary · Republic of Ireland · Italy · Latvia · Lithuania · Luxembourg · Malta · Netherlands · Poland · Portugal · Romania · Slovakia · Slovenia · Spain · Sweden · United Kingdom See also: Directive 98/44/EC · Regulation 816/2006 · Community patent · European patent law
Designs
Austria · Belgium · Bulgaria · Cyprus · Czech Republic · Denmark · Estonia · Finland · France · Germany · Greece · Hungary · Republic of Ireland · Italy · Latvia · Lithuania · Luxembourg · Malta · Netherlands · Poland · Portugal · Romania · Slovakia · Slovenia · Spain · Sweden · United Kingdom See also: Directive 98/71/EC · Regulation (EC) No. 6/2002 · Community design
Retrieved from “http://en.wikipedia.org/wiki/Dutch_copyright_law”
Categories: Intellectual property laws of the European Union | Copyright laws of the European Union | Copyright law by country | Dutch lawHidden categories: All articles with unsourced statements | Articles with unsourced statements from August 2008
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This page was last modified on 4 March 2010 at 10:17.
This article does not cite any references or sources.
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The Stijkel Group were a Dutch resistance group that fought the Nazi occupation of the Netherlands during the Second World War. They operated between 1939 and 1942, when they were betrayed.
Han Stijkel
Han Stijkel was the leader of the Stijkel Group. He commanded the group until their betrayal in 1942. He was the first of the group to be executed in Berlin.
This Dutch history-related article is a stub. You can help Wikipedia by expanding it. v•d•e
This World War II article is a stub. You can help Wikipedia by expanding it. v•d•e
Retrieved from “http://en.wikipedia.org/wiki/The_Stijkel_Group”
Categories: Dutch resistance | Dutch history stubs | World War II stubsHidden categories: Articles lacking sources from November 2006 | All articles lacking sources
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This article is an orphan, as few or no other articles link to it. Please introduce links to this page from related articles; suggestions are available. (January 2010)
Sandilands Community Primary School is a primaryschool situated on Wendover Road, Wythenshawe, Manchester, England. The school was formed in September 2005 by the amalgamation of separate junior and infant schools that were created in the early 1950s. Currently, it has around 400 pupils, ages 3–11. The proportion of pupils with learning difficulties and/or disabilities is above average.
Contents
1Head teachers
2Awards
3School Council
4ICT
5Attendance initiative
6References
7External links
Head teachers
1988-September 2005 Mrs Dickens
September 2005-4 June 2007 John Reilly
John Reilly died, found hanging from a tree in Wythenshawe Park at 11am on 4 June, though there were no suspicious circumstances.
Awards
Sandilands has been awarded the Active Mark by Sport England, following a rigorous assessment, to show the school is committed to the benefits of physical activity and sport.
The school has also received the Leading Aspect Award to mark its inspiring approach to ICT.
School Council
There is a School Council consisting of eight pupils, one from each class in years 3-6, that meets twice a term. The Council has a budget of around £50 with which to buy extra equipment. Though the meetings are supervised by an adult, that person has no say whatsoever on the spending decisions.
ICT
The school is one of only five in the north-west taking part in the PELRS project (Pedagogies with E-Learning Resources) developed by the Manchester Metropolitan University following critical evaluations of the government’s £1bn investment in ICT.
Attendance initiative
The School has developed a strategy to improve attendance and rewards every pupil who achieves 100% attendance each term with a further reward if a pupil achieves 100% attendance for the whole academic year.
References
^ DfES statistics
^“BBC News, School league tables 2006, Sandilands Community Primary School”. BBC News. 7 December 2006. http://news.bbc.co.uk/1/shared/bsp/hi/education/06/school_tables/primary_schools/html/352_2301.stm.
^ Ofsted report
^ “Head teacher found hanged”, Neal Keeling, Manchester Evening News, 5 June 2007
^ ab “Manchester school scoops two top awards”, Manchester City Council, 5 January 2005
^ “Raising achievement across the curriculum through the use of ICT - Case Study”, January 2006
^ “Schools not making most of ICT”, Manchester Metropolitan University, 11 January 2006
^ “Brooklands Matters”, March 2003, Manchester City Council
Retrieved from “http://en.wikipedia.org/wiki/Sandilands_Community_Primary_School”
Categories: Schools in ManchesterHidden categories: Orphaned articles from January 2010 | All orphaned articles
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This page was last modified on 17 January 2010 at 15:51.
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“English Summer Rain”
Single by Placebo
from the album Sleeping with Ghosts
Released
23rd February 2004
Genre
Alternative rock, electronic rock
Length
4:01 (Album Version)
3:10 (Single Version)
Label
Virgin Records
Writer(s)
Brian Molko; Placebo
Producer
Jim Abbiss
Placebo singles chronology
“Special Needs”
(2003)
“English Summer Rain”
(2004)
“Twenty Years”
(2004)
“English Summer Rain” is the fourth single from Placebo’s studio album Sleeping with Ghosts, and was released in February 2004.
In the UK, it peaked at number 23 in the UK Singles Chart. In Australia, the song was ranked #53 on Triple J’s Hottest 100 of 2004.
Track listings
CD
“English Summer Rain” (Single version) 3:10
“I’ll Be Yours” (version 4am)
Enhanced CD
“English Summer Rain” (Album version) 4:00
“English Summer Rain” (Ecstasy of St Theresa remix)
“This Picture” (Junior Sanchez remix)
“English Summer Rain” (Exclusive animated video)
CD
“English Summer Rain” (Album version) 4:00
“English Summer Rain” (Ecstasy of St Theresa remix)
“This Picture” (Junior Sanchez remix)
7″ Vinyl
A1. “English Summer Rain” (Single version) 3:10
B1. “This Picture” (Junior Sanchez remix)
v•d•e
Placebo
Brian Molko·Stefan Olsdal·Steve Forrest
Bill Lloyd ·Fiona Brice ·Nick Gavrilovic
Steve Hewitt ·Robert Schultzberg ·Alex Lee ·Xavior Roide
Studio albums
Placebo·Without You I’m Nothing·Black Market Music·Sleeping with Ghosts·Meds·Battle for the Sun
Compilation albums
Once More With Feeling·Covers
EPs
Exclusive Session·Extended Play ‘07·iTunes Live: London Festival ‘09
Live albums
Live at La Cigale
DVDs
Soulmates Never Die: Live in Paris 2003·Once More with Feeling: Videos 1996-2004·Meds (Special Edition)
Singles
“Bruise Pristine” ·“Come Home” ·“36 Degrees” ·“Teenage Angst” ·“Nancy Boy” ·“Pure Morning” ·“You Don’t Care About Us” ·“Every You Every Me” ·“Without You I’m Nothing” ·“Burger Queen Français” ·“Taste in Men” ·“Slave to the Wage” ·“Special K” ·“Black-Eyed” ·“The Bitter End” ·“This Picture” ·“Special Needs” ·“English Summer Rain“ ·“Twenty Years” ·“Protège-Moi” ·“Because I Want You” ·“Song to Say Goodbye” ·“Infra-Red” ·“Meds” ·“Running Up That Hill” ·“For What It’s Worth” ·“The Never-Ending Why” ·“Ashtray Heart” ·“Bright Lights”
Related articles
Discography
Retrieved from “http://en.wikipedia.org/wiki/English_Summer_Rain”
Categories: Placebo songs | 2004 singles | Songs written by Brian MolkoHidden categories: Articles lacking sources from December 2009 | All articles lacking sources
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This page was last modified on 4 March 2010 at 21:13.
David Aja is a Spanish comic book artist, best known for his work on The Immortal Iron Fist and Daredevil.
Contents
1Biography
2Work includes
2.1Comics
3Awards
4References
5External links
Biography
He obtained a degree in Fine Arts at the University of Salamanca and served as a member of the faculty of fine arts from 1995 to 2000.
Aja began working as a professional illustrator in Barcelona in 2000. He has conducted public lectures on illustration as Faculty of Fine Arts at both Universidad de Salamanca and Universidad Complutense de Madrid (UCM). His work includes CD covers, as well as computer graphics with collaborator Marcel-li Antúnez.
He and his wife, Pilar, live in Valladolid, Spain.
Work includes
European Press, Publishers, and Magazines, which include El País, Men’s Health, Rolling Stone, Cinemanía, Espasa, and Santillana
El Pais newspaper
Progresa (Promotora General de Revistas S.A.): Cinemania, Rolling Stone, Revista 40 and Blue Joven
Hachette Filipacchi: Emprendedores and Ragazza
Muy Extra and Reporter Corporate Publishing Company
Covers illustrations: Espasa, Planeta , Oxford, Alfaguara, Aguilar, Ediciones B, Plaza & Janes, Punto de Lecture and Circulo de Lectores
Illustrated books: Gaviota, Santillana, Anaya, Circulo de Lectores and Cruilla
Comics
Comics include:
X-Men Unlimited (Marvel Comics):
“So this Guy Walks Up to a Fruit Whipz Counter…” (with David Hahn, in X-Men Unlimited #11, December 2005)
“Dying Inside” (with C. B. Cebulski, in X-Men Unlimited #14, June 2006)
“Futility” (with Paul Jenkins, in Civil War Front Line #3, Marvel Comics, September 2006)
Daredevil #88 (with Ed Brubaker, Marvel Comics, October 2006)
The Immortal Iron Fist (with Ed Brubaker and Matt Fraction, Marvel Comics, November 2006-November 2008)
“The Immortal Iron Fist” (with Ed Brubaker and Matt Fraction, in Civil War Choosing Sides #1, Marvel Comics, December 2006)
Giant-size Wolverine (pencils, with David Lapham and inks by Jose Villarrubia, Marvel Comics, December 2006)
Covers include:
Marvel Knights 4
Four #28 (May 2006)
Awards
2008: Won the “Favourite Newcomer Artist” Eagle Award
References
David Aja at the Comic Book DB
External links
Official website
Meet & Greet: David Aja, Newsarama, August 8, 2006
Iron Drawing Hand: Aja talks “The Immortal Iron Fist”, Comic Book Resources, November 16, 2006
Retrieved from “http://en.wikipedia.org/wiki/David_Aja”
Categories: Spanish comics artists | Living people | University of Salamanca alumni | University of Salamanca facultyHidden categories: Comics nation sweep | Comics infobox image less caption | Comics infobox image less alt text | Comics creator pop | Year of birth missing (living people)
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Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2009)
Dr Cathy Gale was a fictional character, played by Honor Blackman, on the 1960s British series The Avengers. She was the first regular female partner of John Steed following the departure of Steed’s original male co-star, Dr David Keel (played by Ian Hendry). She made her first appearance at the start of the series’ second season in 1962.
Initially, Gale was one of several rotating partners who worked with Steed (the others being medical man Dr Martin King and nightclub singer Venus Smith). By the third season, however, she was Steed’s only partner.
Gale was born 5 October 1932. She was an anthropologist who married a farmer in Africa and there learned to hunt, fight and take care of herself. When her husband was killed, Gale returned to London to earn a Ph.D. in anthropology. She was the curator of a museum when she first encountered John Steed and agreed to work alongside him from 1962-1964.
The relationship between Steed and Gale was marked by sexual tension of a type absent from later partners, plus Gale and Steed also had a rocky working relationship, with Gale not always appreciative of Steed’s methods nor his habit of “volunteering” her for missions. Still, the two appear to have become quite close as the episode “The Golden Eggs” has her actually living in Steed’s apartment as she searches for a new home of her own (the reason for her displacement is not revealed). In keeping with The Avengers’ policy of avoiding direct references to romance between the two leads, however, it’s quickly stated that Steed is actually sleeping at a nearby hotel.
Cathy Gale was considered a trail-blazing female character for British television, displaying a level of self-assurance and physical prowess rarely seen in women on television before that time. Her later mode of dress - a leather outfit designed to make it easier for Gale to fight - started a fashion trend, as did her wearing of what were dubbed “kinky boots”. (The term became a catch phrase and Honor Blackman and her co-star Patrick Macnee even recorded a moderately popular single entitled “Kinky Boots”.) The influence of Cathy Gale could be felt in productions on both sides of the Atlantic; characters considered to have been influenced by her in some way include the TV version of Honey West and the Doctor Who character Sara Kingdom, as well as the character that succeeded her in The Avengers, Emma Peel.
Blackman left the series after its third season in order to co-star in the James Bond film Goldfinger. She was replaced by actress Diana Rigg as Emma Peel, who continued Gale’s habit of wearing leather during action sequences until she was given her own unique costuming when series production switched to colour.
Other appearances
Cathy Gale left the series before it reached the popular heights it would under Emma Peel. As such, the character only appears in one contemporary spin-off novel, Douglas Enefer’s The Avengers published in 1963.
The Emma Peel episode “Too Many Christmas Trees” sees Steed receive a Christmas card from Mrs Gale and he wonders what she can be doing in Fort Knox, a cheeky reference to Blackman’s appearance in Goldfinger and implying that Cathy Gale and Pussy Galore could be the same character.
Years later, however, Gale would appear in Too Many Targets, a 1990 novel by John Peel and Dave Rogers, in which she meets Emma Peel and Tara King, Steed’s later partners, and is teamed up with David Keel. The book (which is set in the late 1960s and is not considered “canonical”) introduces a romantic attraction between Gale and Dr. Keel.
Retrieved from “http://en.wikipedia.org/wiki/Cathy_Gale”
Categories: Fictional secret agents and spies | Fictional scientists | The Avengers (TV series) charactersHidden categories: Articles lacking sources from December 2009 | All articles lacking sources
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This page was last modified on 21 December 2009 at 10:27.
Retrieved from “http://en.wikipedia.org/wiki/The_Restoration_of_Chaos_%26_Order”
Categories: Against All Authority albums | 2006 albums | Hopeless Records albums | 2000s punk rock album stubs
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